{"version":"1.0","provider_name":"sculpture&amp;collection","provider_url":"https:\/\/sculptureetcollection.com\/en\/","author_name":"elodie jeannest","author_url":"https:\/\/sculptureetcollection.com\/en\/author\/elodie-jeannest\/","title":"Les lignes de fuite de la sculpture - sculpture&amp;collection","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\"><a href=\"https:\/\/sculptureetcollection.com\/en\/presse\/les-lignes-de-fuite-de-la-sculpture\/\">Les lignes de fuite de la sculpture<\/a><\/blockquote>\n<script type='text\/javascript'>\n<!--\/\/--><![CDATA[\/\/><!--\n\t\t\/*! This file is auto-generated *\/\n\t\t!function(d,l){\"use strict\";var e=!1,n=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,i,a,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(a=parseInt(t.value,10)))a=1e3;else if(~~a<200)a=200;r.height=a}if(\"link\"===t.message)if(i=l.createElement(\"a\"),a=l.createElement(\"a\"),i.href=r.getAttribute(\"src\"),a.href=t.value,o.test(a.protocol))if(a.host===i.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!n){n=!0;for(var e,t,r=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),a=l.querySelectorAll(\"iframe.wp-embedded-content\"),s=0;s<a.length;s++){if(!(e=a[s]).getAttribute(\"data-secret\"))t=Math.random().toString(36).substr(2,10),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t);if(r||i)(t=e.cloneNode(!0)).removeAttribute(\"security\"),e.parentNode.replaceChild(t,e)}}}}(window,document);\n\/\/--><!]]>\n<\/script><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/sculptureetcollection.com\/en\/presse\/les-lignes-de-fuite-de-la-sculpture\/embed\/\" width=\"600\" height=\"338\" title=\"&#8220;Les lignes de fuite de la sculpture&#8221; &#8212; sculpture&amp;collection\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe>","thumbnail_url":"https:\/\/sculptureetcollection.com\/wp-content\/uploads\/2025\/05\/Capture-de\u0301cran-2025-05-19-a\u0300-12.57.40.png","thumbnail_width":1726,"thumbnail_height":1312,"description":"Gazette Drouot n\u00b019 Vendredi 16 mai 2025 Cette nouvelle session d\u00e9di\u00e9e \u00e0 la sculpture moderne explore les techniques et livre des \u0153uvres de diff\u00e9rents styles. Celui de Lipchitz ne laisse pas indiff\u00e9rent. Lors de l\u2019exposition de 1959 consacr\u00e9e \u00e0 Jacques Lipchitz au Palais des beaux-arts de Bruxelles, cet exemplaire de La Fuite ayant \u00e9t\u00e9 fondu [&hellip;]"}