{"version":"1.0","provider_name":"sculpture&amp;collection","provider_url":"https:\/\/sculptureetcollection.com\/en\/","author_name":"elodie jeannest","author_url":"https:\/\/sculptureetcollection.com\/en\/author\/elodie-jeannest\/","title":"La puret\u00e9 de la ligne - sculpture&amp;collection","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\"><a href=\"https:\/\/sculptureetcollection.com\/en\/presse\/la-purete-de-la-ligne\/\">La puret\u00e9 de la ligne<\/a><\/blockquote>\n<script type='text\/javascript'>\n<!--\/\/--><![CDATA[\/\/><!--\n\t\t\/*! This file is auto-generated *\/\n\t\t!function(d,l){\"use strict\";var e=!1,n=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,i,a,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(a=parseInt(t.value,10)))a=1e3;else if(~~a<200)a=200;r.height=a}if(\"link\"===t.message)if(i=l.createElement(\"a\"),a=l.createElement(\"a\"),i.href=r.getAttribute(\"src\"),a.href=t.value,o.test(a.protocol))if(a.host===i.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!n){n=!0;for(var e,t,r=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),a=l.querySelectorAll(\"iframe.wp-embedded-content\"),s=0;s<a.length;s++){if(!(e=a[s]).getAttribute(\"data-secret\"))t=Math.random().toString(36).substr(2,10),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t);if(r||i)(t=e.cloneNode(!0)).removeAttribute(\"security\"),e.parentNode.replaceChild(t,e)}}}}(window,document);\n\/\/--><!]]>\n<\/script><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/sculptureetcollection.com\/en\/presse\/la-purete-de-la-ligne\/embed\/\" width=\"600\" height=\"338\" title=\"&#8220;La puret\u00e9 de la ligne&#8221; &#8212; sculpture&amp;collection\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe>","thumbnail_url":"https:\/\/sculptureetcollection.com\/wp-content\/uploads\/2024\/12\/Capture-de\u0301cran-2024-12-06-a\u0300-14.46.36.png","thumbnail_width":688,"thumbnail_height":930,"description":"Gazette Drouot n\u00b0 44 Vendredi 06 d\u00e9cembre 2024 Probablement fondue du vivant de Pompon, cette Oie \u00e0 la silhouette stylis\u00e9e et \u00e0 la base arrondie appartient \u00e0 la seconde version de cette \u0153uvre n\u00e9e en 1926. Provenant d\u2019une collection particuli\u00e8re fran\u00e7aise, cette Oie appartient au dernier \u00e9tat du mod\u00e8le, \u00e0 la base arrondie et lisse, [&hellip;]"}